Artists, Ute Braatz, Sian Carlyon and Jess Millicent, explore different contemporary printmaking techniques and their reflections on what makes our existences worth living.

The exhibition is based on the historical artistic trope of ‘memento mori’ (remember that you will die) – that life is fleeting – and so we should ‘carpe diem’ (seize the day)! Reinterpreting a long-standing historical artistic practice dating from Roman times through to contemporary ‘still life’, provides opportunities for commentary on social mores. Death is almost a friendly spectre on the periphery, but it is the ultimate social leveller.

Toowoomba Region artist David Carson gives us insight into why ‘today is his moment’ with diverse images in an abstract form and enhanced photographic images taken from the natural world and portraiture.

Step into the captivating world of "Eat My Dust". This heartwarming children's book transcends traditional narratives, shining a spotlight on the remarkable contributions women have made throughout history.

Inspired by the colours of nature, artist Kerry Harvey captures moments in time when the artist’s breath was literally taken away by the colours, changes of light and shade and the reflections of light and colour on bodies of water, be it the ocean, rivers, dams or lakes. The exhibition seeks to provide inspiration and appreciation for the natural beauty of our surroundings and asks the viewer to slow down and find beauty in the everyday.

Shadows and Reflections is a collection of paintings that celebrates the drama of shadows and reflections, the colours of sunrise and sunset and the ever-changing effect of light and colour on coastal, rural and river scenes.

Inspired by the colours of nature, this exhibition captures moments in time when the artist’s breath was literally taken away by the colours, changes of light and shade and the reflections of light and colour on bodies of water, be it the ocean, rivers, dams or lakes.

Observational Correspondence showcases the work of regional artists Lisa Clarke and Ben Tupas over their five-year collaboration. This exhibition highlights a selection of 50 postcards sent between the two during the span of their project that offer a unique snapshot of contemporary Australia.

In a digital world where analogue communication and the postal service are slowly fading into obsolescence, their work uses the miniature canvas of the postcard to give glimpses of humour, pathos, and fleeting beauty inspired by the human condition.

Observational Correspondence is a meditation on connection, friendship, and a strong case for slowing down to be more present in life.

Explore Artistic Wandering with Gwen Walker's PhD exhibition. Immerse yourself in an artistic journey where the act of wandering is the artwork, prioritising the artist’s experiential process over the physical artefacts produced.

The result of artist Loi Magill’s Doctor of Creative Arts project, Awful beauty provides a visual, abstracted response to environmentally impacted geographical locations.

I, Object considers the many complex relationships Indigenous Australian artists continue to have with objects – from the histories informing their creation to the social and cultural consequences of their collection. The exhibition demonstrates the great pride and inspiration of inherited cultural practices and historical Indigenous objects, and reveals the difficulties posed by their collection and estrangement.

“A vibrant and dynamic installation by Slow Art Collective, inspired by the wonders of nature. Weave, create and reflect as each movement breathes life into the vibrant artwork around you. Explore interactive weaving stations, allow music to ignite your imagination, and make your mark on a colourful and dynamic environment, fostering rich community connection”